Hypermedia, taller de configuración y comunicación del proyecto arquitectónico, es un grupo de investigación interdepartamental de la Universidad Politécnica de Madrid, con sede en la ETSAM.

Configuración formal de los rosetones románicos de la ciudad de Zamora (2015)

TESIS: (Thesis)

Title: Normal configuration of the Romanesque rosettes of the city of Zamora. (2015)

  • Autor/es (author/s): Edgar Javier Vargas Martínez.
  • Director/es (thesis director/s): Ismael García Ríos y Raul Fraga Isasa.
  • Resumen: La presente tesis estudia los rosetones románicos de la ciudad de Zamora. La elección del tema tiene como objetivo profundizar en el conocimiento de estos elementos ya que la información existente sobre ellos es muy escasa. El análisis de estos rosetones se ha realizado desde una perspectiva globalizadora que abarca aspectos tales como los geográficos, morfológicos, funcionales, compositivos, constructivos, geométricos, ornamentales, otros. Así mismo, para el desarrollo de esta investigación se ha considerado necesario el estudio de temas históricos, estilísticos, simbólicos, religiosos, culturales, etc., que aportan el marco contextual que permiten su mejor entendimiento. El estudio de cada rosetón ha permitido implementar y desarrollar un método de trabajo analítico basado en el estudio particular de una serie de aspectos como los anteriormente mencionados, así como plantear una estrategia que permite la reconstitución gráfica de los rosetones, basándose en un sistema de módulos que facilitan trabajar de acuerdo a las proporciones de los elementos; hecho que permite acercarnos con gran exactitud a la representación del objeto real cuando se carece de medidas. El desarrollo de esta investigación ha llevado a establecer entre otras cosas que la definición de “ventana circular” que se le atribuye a los rosetones románicos no es acertada, puesto que la función que cumplen en el edificio religioso es más bien de carácter simbólico.
  • Abstract: This thesis studies the Romanesque rosettes of the city of Zamora. The objective of the choice of subject is to deepen the knowledge of these elements since the existing information about them is very scarce. The analysis of these rosettes has been made from a globalizing perspective that covers aspects such as geographic, morphological, functional, compositional, constructive, geometric, ornamental, others. Likewise, for the development of this research it has been considered necessary to study historical, stylistic, symbolic, religious, cultural, etc. topics, which provide the contextual framework that allows for better understanding. The study of each rosette has allowed to implement and develop an analytical work method based on the particular study of a series of aspects such as the ones mentioned above, as well as to propose a strategy that allows the graphic reconstitution of the rosettes, based on a system of modules that make it easier to work according to the proportions of the elements; fact that allows us to approach the representation of the real object with great accuracy when measurements are lacking. The development of this research has led to establish among other things that the definition of “circular window” that is attributed to the Romanesque rosettes is not accurate, since the function they fulfill in the religious building is rather symbolic. ABSTRACT This thesis studies the Romanesque rose windows of the Zamora city. The choice of topic is intended to deepen the knowledge of these elements as the existing information about them is very scarce. The analysis of these rose windows was made from a global perspective covering aspects such as geographic, morphological, functional, compositional, construction, geometric, ornamental, other. Also, for the development of this research it was considered necessary to study historical, stylistic, symbolic, religious, cultural issues, etc., that provide the contextual framework that allow for better understanding. The study of each rose windows has allowed to implement and develop a method of analytical work based on the particular study of issues such as those mentioned above, as well as the strategy that allows the graphic reconstitution of the rose windows, based on system of modules facilitate work according to the proportions of the elements; made with great precision approach allows the representation of the real thing when it lacks measures. The development of this research has led to establish among other things that the definition of “circular window” that is attributed to the Romanesque rose windows is not successful because the role in the religious building is rather symbolic.
  • Enlace (link): http://oa.upm.es/39874/

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